Query by dibs: I require sources about Asian stereotypes and disco…?
I have an assignment to write a paper about the life of this guy I interviewed. I want some secondary sources, and some require to be on Asian stereotypes in the U.S. and some need to have to be about disco and the movie “Saturday Evening Fever”. Assist…?
Ideal answer:
Answer by NeutronBomb
Stereotypes of East Asians are ethnic stereotypes that are identified in many Western societies. Stereotypes of Asian individuals, specifically East Asians, like other stereotypes, are usually manifest in a society’s media, literature, theater and other creative expressions. In several situations, media portrayals of Asians frequently reflect the dominant Eurocentric tips of them rather than their actual customs and behaviors.[1] However, these stereotypes have repercussions for Asians and Asian immigrants in everyday interactions, existing events, and governmental legislation. Asians have knowledgeable discrimination and have been victims of hate crimes associated to their ethnic stereotypes.
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[edit] Orientalism, mysticism and exoticism
According to Edward Stated, orientalism refers to the way that the West interprets or comes to terms with their experiences and encounters with the Orient, or the East. Stated claimed that “the Orient” was a European invention to denote Asia as a location of exoticism, romance, and exceptional experiences, and also as a conception to contrast with Western civilization.[2]
The effects of orientalism in Western cultures consist of an “othering” of Asians and Asian Americans their cultures and techniques of life are observed as becoming “exotic” and novel, in direct contrast to “standard” Western customs. [2] Even though Western cultures are capable of changing and modernizing, Asian cultures are seen as becoming ancient, [3] static, and entrenched in the previous. Western cultures stereotype Asian cultures as being extremely superstitious, spiritual and mystical, and complete of ancient wisdom. This is manifested by countless fabricated supposed ancient Chinese sayings by Confucius and other ancient smart Asian males discovered in many American novels, films, and internet sites, and by the widespread popularity of fortune cookies in North American Chinese restaurants catered to Western buyers that supposedly predict the future or dispense sage-sounding suggestions. Other examples of Asian culture as novelty in Western cultures contain the Chinoiserie fad throughout the 18th century, the trendiness of Asian motifs, and the popular decision of Chinese characters as tattoo designs despite unfamiliarity with the language. Historically, America’s Chinatowns have held a place in the American imagination as a mysterious sketchy spot of opium dens, gangs, and foreign speech.
In the musical comedy Thoroughly Modern Millie, Mrs. Meers, a White woman pretending to be Asian claims that soy sauce is capable of magically removing stains, 1 of the “mysteries of the Orient.” The lyricist of the musical Miss Saigon deliberately makes the Vietnamese prostitute’s lines “mystical and obscure,”[four] providing her nonsensical lyrics steeped in mysticism like “paper dragons in the sky” and “You are sunlight and I moon/joined by the gods of fortune.”[5]
[edit] Stereotypes of exclusion
[edit] “Yellow Peril”
1899 editorial cartoon with caption: “The Yellow Terror in all his glory.”
Main write-up: Yellow Peril
The term “Yellow Peril” refers to an American fear, peaking in the late 19th century, that a massive quantity of Asians would immigrate to the United States and fill the nation with a foreign culture and speech incomprehensible to these already there, and take jobs away from Americans. Throughout this time, numerous anti-Asian sentiments were expressed by politicians and writers, specially on the West Coast, with headlines like “The ‘Yellow Peril'” (Los Angeles Occasions, 1886) and “Conference Endorses Chinese Exclusion” (The New York Instances, 1905) and the later Japanese Exclusion Act. The Immigration Act of 1924 limited the quantity of Asians due to the fact they had been considered an “undesirable” race. [6] Australia had equivalent fears and introduced a White Australia policy, restricting immigration in between 1901 to 1973, with some elements of the policies persisting to the 1980s. Similarly, Canada had in place a head tax on Asian immigrants to Canada in the early 20th century a formal government apology was offered in 2007 (with compensation to the surviving head tax payers and their descendants).
[edit] Perpetual foreigner
Throughout America’s history, Asian Americans have been conceived, treated, and portrayed as perpetual foreigners unassimilable and inherently foreign regardless of citizenship or duration of residence in America.[7] This is evident by way of government actions such as Takao Ozawa v. United States and the Chinese Exclusion Act (United States), and statements made in the nation’s literature and periodicals. A statement made by Justice Harlan in the 1897 court case of United States v. Wong Kim Ark explicitly illustrates this stereotype of Asians in saying that Asians are “strangers in the land” who are “incapable of assimilating”.[eight],[9],[ten],[11]
[edit] Racial triangulation theory
According to political science professor/author/scholar Claire Jean Kim, Asian Americans have been racially triangulated in American society in relation to Americ
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